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AYLA DMYTERKO

Ayla Dmyterko (b. 1988, Saskatchewan, Canada) is a Ukrainian-Canadian artist based in Glasgow whose interdisciplinary practice explores cultural memory, diasporic imagination, and the parallel histories of possession and dispossession. Her artworks explore these themes through moving image, painting, sculpture, textiles, installation, performance, and text.

Drawing upon lived experience, as well as the parallel psycho-geographies of colonialism across ancestral and adopted landscapes, Dmyterko considers how histories are inherited, fragmented, and reactivated across generations. Her works engage archival silence and vernacular forms of knowledge, bringing together folkloric, spiritual, ecological, and pre-patriarchal registers to challenge chronological and canonical interpretations of art history. Her use of repetition, ritual, and folklore considers how embodied practices can carry knowledge across geographic and generational distance, while also acknowledging the slippages and loss that occurs amidst assimilation.

Environmental anxiety and the relationship between culture and nature are also central to her practice. Through what she describes as solastalgic and animist approaches, Dmyterko considers ecological crisis alongside histories of colonialism, patriarchy, and capitalism; her artworks become forms of remedial repair practiced through ritual, with slower temporalities and process-based intentions. Across these concerns, Dmyterko is interested in the recurring ways images, objects, and artistic practices become mediums through which belief is collectively produced. Her work is syncretic, spiralling, and hyphenated, moving between inherited histories and contemporary conditions to embrace transformation, regeneration, and dignity.

Recent solo exhibitions include Ring Around the Sun & We Rage On, Alma Pearl, London (2025); Liberate Thee, Angel of History, Pangée, Montréal, Canada (2023); Vyshyvani Kazky, Embroidered Stories, Zalucky Contemporary, Toronto, Canada (2022); and The Story Began With a Beet (It Must End With The Devil), Pangée, Montréal, Canada (2015). Selected group exhibitions include Fools for Truth, Pangée, Montréal, Canada (2025); Viaggi / Journeys, Alma Pearl, London (2025); Antigone Revisited, curated by Marcelle Joseph, Hypha Studios, London (2024); What We Mean to Say, Banff Centre, Canada (2024); Soil Horizon, KIRKI Projects, Sifnos Island, Greece (2024); Bitch Magic, Alma Pearl, London (2024); and The Grass at Our Feet, VITRINE, Basel, Switzerland.

She completed residencies at the Skowhegan School of Painting and Sculpture, Maine (2025), and the Banff Centre for Arts and Creativity, Canada (2024). Her films have recently been screened at the ICA, London, as part of the London Short Film Festival (2024); the Yampil Museum of Fine Art, Ukraine (2025), and LUX Scotland (2026), among others. 

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