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BLCKGEEZER: Black Nausea / 24

Past exhibition
31 May - 6 July 2024
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  • Overview
    BLCKGEEZER, Black Nausea / 24
    For its first participation in the London Gallery Weekend, Alma Pearl is pleased to present 'BLCKGEEZER: Black Nausea / 24', the artist's debut solo exhibition after graduating from the Royal College of Art in 2023. The recipient of Sir Frank Bowling Scholarship (2022-2023) as well as the Chadwell Award 2023, BLCKGEEZER here invokes black as a material, a state, a colour, a mood, concept, and site of abstraction.

    Following the experience of personal illness, BLCKGEEZER expands on and develops an extensive engagement with the writings of Jean Paul Sartre and Franz Fanon importantly shot through the prism of Lola Olufemi’s powerful Experiments in Imagining Otherwise, which the author positions as “a book of failure and mistake; it begins with what is stolen from us and proposes only an invitation to imagine.” The works BLCKGEEZER has produced here begin by invoking powerful themes surrounding maternal instincts to feed and nurture, fertility as well as explorations of mother-child iconography. These paintings then go further to explore ‘Black’ not merely as a form of resistance, but as a material expression of existential persistence and do so with wisdom, wit, rage, humour, and generosity.

     

    The concept ‘Black Nausea’ is a term coined by the artist. Black–its associative bond animating the term nausea–creates an uneasiness that offers a transformative state, perhaps even a new trajectory for the lived experience. In the artist’s own words: “I came up with ‘Black Nausea’ after my experience of chemotherapy. It is an ongoing speculation and pillar. I’m thinking about the unease and discomfort of black… I think black nausea is a space for me to think, question, and speculate, there’s no right or wrong.” The painting Barren Cassareep evinces a sense of play echoed in numerous nuances present in BLCKGEEZER’s work. Barren, which connotes infertility, is a play on the word baron–a reference to the Caribbean cooking sauce comprised of black liquid. A key here is the connection between forms and materialities–all that is produced through contact–a sweat that is at once bodily, experiential, conceptual, and existential.

     

    Another conceptual neologism BLCKGEEZER has coined is ‘Breastistentialism’. Central to this work is aligning thought and imagination to question existence from a new perspective, one that is otherwise and ‘breast-centred’ and holds everything at stake. The proposition: black, breast, and blackness as abstraction that comes forward as a method and mode–a way of being in the world–to think other than the dominant and prescribed in a nuanced perspective.

     

    ABOUT THE ARTIST 

    BLCKGEEZER aka Miya Jazmin Browne (b. 1997) is an artist born and based in London. BLCKGEEZER holds a BA from the University of Westminster (2020) and an MA in Painting from the Royal College of Art, London (2023), and was the recipient of the Sir Frank Bowling Scholarship (2022-2023) as well as the Chadwell Award 2023. Recent exhibitions include MANIFOLD DELUXE at No.9 Cork Street (2023); BUFFER 2, Guts Gallery (2023); and Transforming Legacies at Black Cultural Archives (2022), an exhibition looking at Black British Art history curated by Pacheanne Anderson.

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  • Works
    • BLCKGEEZER Black Nausea: (don’t take the Mickey), 2024 Acrylic oil, chalk, charcoal on canvas 90 x 90 cm 35 1/2 x 35 1/2 in
      BLCKGEEZER
      Black Nausea: (don’t take the Mickey), 2024
      Acrylic oil, chalk, charcoal on canvas
      90 x 90 cm
      35 1/2 x 35 1/2 in
    • BLCKGEEZER Ebonised Milk, 2023 Acrylic, molding paste, ink, chalk, charcoal, talcum powder, clay, sand, hair, oil and varnish on canvas 250 x 250 cm 98 1/2 x 98 1/2 in
      BLCKGEEZER
      Ebonised Milk, 2023
      Acrylic, molding paste, ink, chalk, charcoal, talcum powder, clay, sand, hair, oil and varnish on canvas
      250 x 250 cm
      98 1/2 x 98 1/2 in
    • BLCKGEEZER Soft Opening: (ribs protect the heart), 2024 Acrylic, oil, chalk, charcoal, clay and velvet on jute 190 x 130 cm 74 3/4 x 51 1/4 in
      BLCKGEEZER
      Soft Opening: (ribs protect the heart), 2024
      Acrylic, oil, chalk, charcoal, clay and velvet on jute
      190 x 130 cm
      74 3/4 x 51 1/4 in
    • BLCKGEEZER Vascular Monumenta (love is breastistential), 2024 Acrylic, oil, chalk, charcoal on canvas 200 x 200 cm 78 3/4 x 78 3/4 in
      BLCKGEEZER
      Vascular Monumenta (love is breastistential), 2024
      Acrylic, oil, chalk, charcoal on canvas
      200 x 200 cm
      78 3/4 x 78 3/4 in
    • BLCKGEEZER Zenith oxytocin: (love is the highest point) , 2024 Oil and hair on canvas 25 x 25 cm 9 3/4 x 9 3/4 in
      BLCKGEEZER
      Zenith oxytocin: (love is the highest point) , 2024
      Oil and hair on canvas
      25 x 25 cm
      9 3/4 x 9 3/4 in
  • Installation Shots
    • Ap 05282400042
    • Ap 05282400053
    • Ap 05282400029
  • Press
    • London Gallery Weekend 2024: our critics pick their top shows

      The Art Newspaper, Text by Ben Luke and Louisa Buck
  • Events
    • BLCKGEEZER in conversation with Lola Olufemi

      BLCKGEEZER in conversation with Lola Olufemi

      2 Jul 2024
      On the occasion of the artist’s solo exhibition in London, BLCKGEEZER will be in conversation with Black feminist writer and researcher Lola Olufemi. Tuesday 2 July 6:30 pm Alma Pearl, Unit T, Reliance Wharf, 2-10 Hertford Road Lola Olufemi is a black feminist writer and Stuart Hall foundation researcher from London based in the Centre for Research and Education in Art and Media at the University of Westminster. Her work focuses on the uses of the political imagination and its relationship to cultural production, political demands and futurity. She is...
      Read more
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